Thursday, July 28, 2011

Deep House Thursday

Dammmmnnnn. I really don't have any time to be doing this right now. I don't even know what I accomplished today but somehow time got away from me.



Dig it!

I promise, five new tracks tomorrow for the weekend.

Wednesday, July 27, 2011

I don't know what this site is or what it will become. I know that I enjoy digging up tracks I've never heard before and I enjoy writing about them but that doesn't mean this thing isn't going to change. There is no plan. I hope that doesn't offend you. 

Personally, I feel like a lot of times when it comes to creative endeavors like this, over-planning is not something you should strive for. Free jazz is an entire genre of music built on the idea that plans are over rated. I'm taking it to heart.

I have something to confess, prior to 2011 I was a slave to Pitchfork, the music website/soon to be media conglomerate. I was first introduced to the site back in 2001, my freshman year in college. From that day forward Pitchfork served as the starting point for all things music in my life. It was the end all, be all of music criticism and I was an defender of the site for many years. 

I read it religiously for almost 10 years, but late in 2010 I decided that I needed something different. The content that Pitchfork was putting out hadn't really changed for what felt like four or five years. I could guess which bands were going to be the next best thing based on how much press they would receive prior to their album coming out. Also, if I am really being honest, the reviews kind of suck and I barely ever read them. It is not because they were long, but half the time didn't know what they were talking about.

It is the tyranny of length; they have so many words they need to fill, and they can't make it not sound like a traditional music review, so reviews end up being 800 words long and are as enjoyable to read as a medical text book. All this is a way of saying that I had changed and my website had not.

My new years resolution for this year was to not read Pitchfork anymore and search out other music websites. I couldn't be happier with the way it has gone so far.  


Someday I will learn what dub-step is and what it is not. I swear, this label is practically garbage now. Not every electronic track that comes out of England is, or has to be, labeled as dub-step. Or maybe it does? Damn it, someone tell me how this works.

This track is a radio rip, which is awesome, and just shows that the internet is turning into one large mix-tape we all take part in. Remember ripping songs from the radio onto cassettes so you could listen to your favorite song later? Yea, well, that's what people are doing now with the internet. 

Anyways, this song supposedly is credited to Unknown. That is a lie. I have it on good authority this is a new track from Joy Orbison. I'm digging it. I don't know what to say, this song is another beautifully produced track from this guy and I'm jealous that I can't go to a club here in Columbus and hear this track. If I am wrong about that, please, someone let me know where that is happening.


This track is getting thrown on to some summer jam mix tapes for sure. This is prime sitting on the porch late at night and gazing out at the night.

Is it just me or does this beat sort of remind you of an early 00's hip-hop/r'n'b beat. I'm really digging the production here. And those horns! God damn those horns! They fly in an out or the song like they are flock or birds. There one second and gone the next, but always in the right spot. Damn. 

Tuesday, July 26, 2011

Holy crap. Can someone please explain to me what is going on here?



This is insane. This makes any David Lynch movie look logical. This is absurd. Absurdly awesome though.

We gotta cover a couple of things here and I think we will go with the most obviously one first; this video is fucking sweet. Yea, I'm a sucker for awesome costumes but don't tell me you don't want to wear that big black metal one. That would be dope. Also, according to this interview there is suppose to be some sort of mythology associated with either the band, video, or song.  I can't really tell.

This video is fantastic and it is a shame more artists don't take advantage of the internet in relation to this medium.  There is no MTV anymore or VH1. You don't have to worry about censors or if the video is going to sell something to someone. You can make a video with a bunch of dancers wearing costumes that look like they belong in an acid trip and get away with it. This is the shit that is going to make me remember you song.

It doesn't hurt that this song is pretty great. I don't know NewVillager at all but that got me interested. This is what I have read about them so far; they sound like Animal Collective, the lead singer sounds like the singer from TV On the Radio, and someone characterized this as R'n'B. I can't really see how any of these are correct. First of all, find me one song of Animal Collective's that sounds like this and I will give you a dollar. Second, yea, I guess the guy sort of sounds like the dude from TV On The Radio but I would suggest that his vocal stylings are much more dynamic on this track. And, if this is what R'n'B is now I'm totally on board. This is a very intricate song that reveals its self through multiple layers that come into view throughout the song. Not bad at all.

Monday, July 25, 2011

This weekend I was at a wedding in Akron. During the reception I was seated next to, and across from, a pair of couples who were about my Dad's age. Three of the people sitting next to me had played in the Father of the Bride's band back in the early 1980's. They sounded like Captain Beefheart but with more of a dork like, Devo angle. My brother, who was sitting across from me, and I started talking about albums we had been into recently. I mentioned that I had just listened to "Tusk" by Fleetwood Mac a couple of days earlier and how much I still really like that album. Without skipping a beat the man in the sear sucker suit sitting next to me turned and asked, "Did you say you like Fleetwood Mac?"

"Yea," I responded. "I really like the album 'Tusk' I think it is pretty great"

The man then preceded to stick out his tongue, insert his finger into his mouth, and pretend to gag. I received the exact same reaction again when the man's wife found out I liked Fleetwood Mac. I got roasted on for liking dad rock by two people that were probably older than my dad.

I felt like I had won.

Junior Boys - Banana Ripple by DominoRecordCo

God damn it I love everything about the Junior Boys. I love how every time I listen to one of their albums I feel like I'm doing something a little dirty. If you think about it, there isn't much space separating the Junior Boys and, say, The Weeknd. Except that I would much rather hang out with the Junior Boys because A) I bet it would be more fun and B) I feel like there is a much lower chance of their being an existential crises with these guys.

There really isn't any new ground broken on this track, relative to other Junior Boys' songs. But god damn, if there isn't something about this dudes crooning voices,their pseudo-80's synths, and meticulous production value. This is just nine minuets of awesome.



I said a couple of weeks ago there needed to be more dub/reggae on this little website. I thought I would throw up a classic today, also, I heard it at the wedding this weekend and I've had it in my head ever since.

The first time I heard this song it was in some movie from the 70's about gangs in Jamaica. I can't tell you anything else about the movie because I honestly could not comprehend 90% of what was said in it. In fact, it might not have involved gangs at all, it just really looked like it did.  This song was the highlight of the movie.



This is for the guys at the wedding. The more I listen to this song the more I want to hear Swans cover it. The last third of the song could be a Swans song now, in fact I heard they are covering it on their next album. I'm not going to sit here and try and defend this for anyone, I just did it. So, get over yourself and listen to it.

Friday, July 22, 2011

5 tracks for the weekend

Well people. it looks like the heat dome is going to win. I know, I'm just as disappointed as you all are. I'm sorry it had to come to this. I will be living out the rest of my days on this oven of a planet listening to these jams. Enjoy.

Mount Kimbie - Flux by jonisaok

We had a track of these guys up yesterday but it was a remix. This is a track that didn't make the cut to their newest EP. Sounds a bit like if the The Books were into electronic dance music. Overall though, I find this to be a pretty solid  effort. Mount Kimbie are perfectionists with their sound; works are constructed in ways that resemble a mosaic more than anything else. Things, and I call them things because sounds feels like too large of a word to describe what is unfolding, build on top of each other until a very analog-y melody piece comes in about half way and takes over. These guys are more builders than they are musicians, in best way possibly.



Witch Hunt is the first song off of Zomby's newest LP, "Dedication". I have always had an affinity for any song, and mostly they were rap songs, that added the sounds of guns being loaded and shot off to the rhythm. That trick will always remind me of listening to Bone Thugs in fourth grad and hearing it for the first time. Back then it meant something much more dangerous than it does now. When Zomby uses it, is it a call back to the days of gangster rap in the mid 90's or a shallow hipster, ironic reference?

The only problem with this song is that it clocks in at a lowly 1:45. Seeing how this might be the best song on the album, every time it ends I want more.



Is it just more or does every Tribe song remind you of summer. All I can think about is Do The Right Thing and it being brutelly hot in NYC and everyone is wearing something that has neon on it. Is that wrong?

Also, this has to be one of the best rap lines I've heard in a long time.

If my mom don't approve, then I'll just elope
Let me sink the little man from inside the boat
Let me hit it from the back, girl I won't catch a hernia
Bust off on your couch, now you got Seaman's furniture
Seaman's furniture, brilliant.



Oh, Aphex Twin, when are you going to come out with something new that matters again? I think the world needs it. I think I need it.

This remix is getting the reissue treatment in the very near future. I had never heard it before today and it is pretty great. Would never had guessed that this was originally a Saint Etienne track because it sounds nothing like it. Which got me thinking, if Aphex Twin was to come out with an album this year and it was relevant again, what would it sound like? Would it sound like Aphex Twin trying to do Aphex Twin from 14 years ago or would it be Aphex Twin's take on electronic music now? I would hope it is the latter because it sounds like he was better at doing what people are doing now 10 years ago and he didn't even know it.



This song is called "Summer Groove". It can't fail.

I know absolutely nothing about this guy except that he is a Russian living in England and making some bitching house music. The first quarter of the song may be a little cluttered, but he rights the ship soon after. Bonus: the video is made up of random shots of America city life during the late 70s and early 80s. This is a great little summer jam, highly recommended.